Jonathan Kregor
Forging "Paganinis of the Piano" in the 1830s
in: Studia Musicologica, Bd. 54, 2013, S. 115–133
Chinesisch
Suchparameter "Chinesisch" entfernen
Englisch
Suchparameter "Englisch" entfernen
Zsuzsanna Domokos
Gretchen's Figure in Liszt's Musical Interpretation
in: Studia Musicologica, Bd. 54, 2013, S. 389–396
Patrick Boenke
Collapse and Dismantlement: On Form and Dramaturgy in Liszt's Late Symphonic Poem "From the Cradle to the Grave"
in: Studia Musicologica, Bd. 54, 2013, S. 431–442
Joanne Cormac
From Tragedy to Melodrama: Rethinking Liszt's Hamlet
in: Nineteenth century music review, Bd. 10, 2013, S. 29–55
Rossana Dalmonte
Rethinking the influence of Italian Poetry and Music on Liszt. The Petrarca Sonett "Benedetto sia 'l giorno"
in: Studia Musicologica, Bd. 54, 2013, S. 177–197
Evangelia Mitsopoulou
Liszt’s and Genelli’s "Dante-Symphonie" Project
in: Music in Art, Bd. 38, 2013, S. 201–211
Detlef Altenburg
Liszt and the Spirit of Weimar
in: Studia Musicologica, Bd. 54, 2013, S. 165–176
Peter Bloom
Berlioz and Liszt "in the Locker Room"
in: Studia Musicologica, Bd. 54, 2013, S. 75–85
Jeffrey Schaeffer
Understanding Tonal Ambiguity in Liszt's Death Pieces
in: JALS, Bd. 64, 2013, S. 35–62
Dolores Pesce
The "Individual" in Johann Friedrich Overbeck's and Franz Liszt's "Seven Sacraments"
in: Studia Musicologica, Bd. 54, 2013, S. 339–356