Hyeon-ju Kim
Translating the Orchestra. Liszt's Two-Piano Arrangements of His Symphonic Poems
in: Journal of Musicological Research, Bd. 35, 2016, S. 299-323
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William Wright
Liszt and England
Hillsdale 2016
Ákos Windhager
Playing with Anthems. The Formation of the Cult of Empress Elisabeth in Hungarian Music
in: Muzikologija/Musicology. Journal of the Institute of Musicology, Bd. 20, 2016, S. 31–51
Ecaterina Banciu
Liszt – Programatic Ideals. Harmonies poétiques et réligieuses
in: Studia Universitatis Babes-Bolyai, Bd. 61, 2016, S. 55–81
Alexandra Marinescu
Liszt – Portrait of a Musician. Dante Symphony
in: Studia Universitatis Babes-Bolyai, Bd. 61, 2016, S. 211–234
Imre Kovács
Liszt's Hungaro-European Synthesis. Comments relating to the Cultural-historic Context of The Three Kings March of the Christus oratorio
in: Studia Musicologica, Bd. 57, 2016, S. 379–390
Jacquelyn Sholes
Joseph Joachim’s Overture to 'Hamlet' in relation to Liszt and Shakespeare
in: Ad Parnassum. A journal of eighteenth- and nineteenth-century instrumental music, Bd. 14, 2016, S. 37–76
Olga V. Iarosh
"Les Préludes" by F. Liszt. the Experience of Synaesthetic Analysis
in: Journal of Siberian Federal University. Humanities & Social Sciences, Bd. 9, 2016, S. 1773–1782
Lia Lonnert, Helen Davies
A newly discovered autographed Franz Liszt transcription for the harp
in: Svensk Tidskrift för Musikforschung/Swedish Journal of Music Research, Bd. 98, 2016, S. 1–21
James Holden
Oberman on Obermann. Senancour's Character on Liszt's Music
in: Liszt Society Journal, Bd. 41, 2016, S. 24–30