Hyeon-ju Kim Liszt’s Composer-Mindset Response to the Critique of Opera Fantasy in: Eum'ak nondan/Journal of the science and practice of music, Bd. 39, 2018, S. 151-195
Joe Argentino Schoenberg and Liszt. Hexatonic Collections across the Great Tonal Divide in: Music Analysis, Bd. 37, 2018, S. 184–202
Brent Yorgason Mandatory mannerisms. The evolution of notated expressive asynchrony in Liszt’s Transcendental Etudes in: JALS, Bd. 69, 2018, S. 5-27
Michele Calella Raphael, the Virgin Mary, and Holy Matrimony. Recontextualizing Franz Liszt's Sposalizio in: Studia Musicologica: An international journal of musicology of the Hungarian Academy of Sciences, Bd. 59, 2018, S. 3-20
Zsuzsanna Domokos Sursum corda. The Programme of Death and the Eternal Life in Liszt’s Années de Pèlerinage Third Year and in some Late Works around it in: Ad Parnassum: A journal of eighteenth- and nineteenth-century instrumental music, Bd. 16, 2018, S. 57-69
David Trippett An Uncrossable Rubicon. Liszt’s Sardanapalo Revisited in: Journal of the Royal Musical Association, Bd. 143, 2018, S. 361-432
Vjera Katalinić, Sara Ries Franz Liszt’s contacts with Croatian musicians and dignitaries in: Arti musices: Hrvatski muzikološki zbornik, Bd. 49, 2018, S. 49-68
Kasimir Morski Some aspects of creative thought and interpretative complexity in Liszt's work. Sonata in B minor and the concerto in E-flat major in: Les grands topoï du 19e siècle et la musique de Franz Liszt, herausgegeben von Márta Grabócz, Paris 2018, S. 395-402
Panu Heimonen Romantic topoi, narrativity, and music analysis. Striving towards transcendence in Liszt's piano piece Invocation in: Les grands topoï du 19e siècle et la musique de Franz Liszt, herausgegeben von Márta Grabócz, Paris 2018, S. 371-394