Anna G. Piotrowska ’Gypsy music’ as music of the Other in European culture in: Patterns of Prejudice, Bd. 47, 2013, S. 395–408
Joanne Cormac Revising "Hamlet": the Symphonic Poem in the Theatre in: Studia Musicologica, Bd. 54, 2013, S. 35–48
Mariateresa Storino The Never-Ending Story: Jeanne d’Arc au bûcher in: Studia Musicologica, Bd. 54, 2013, S. 199–216
Jonathan Kregor Forging "Paganinis of the Piano" in the 1830s in: Studia Musicologica, Bd. 54, 2013, S. 115–133
Zsuzsanna Domokos Gretchen's Figure in Liszt's Musical Interpretation in: Studia Musicologica, Bd. 54, 2013, S. 389–396
Patrick Boenke Collapse and Dismantlement: On Form and Dramaturgy in Liszt's Late Symphonic Poem "From the Cradle to the Grave" in: Studia Musicologica, Bd. 54, 2013, S. 431–442
Joanne Cormac From Tragedy to Melodrama: Rethinking Liszt's Hamlet in: Nineteenth century music review, Bd. 10, 2013, S. 29–55
Rossana Dalmonte Rethinking the influence of Italian Poetry and Music on Liszt. The Petrarca Sonett "Benedetto sia 'l giorno" in: Studia Musicologica, Bd. 54, 2013, S. 177–197
Evangelia Mitsopoulou Liszt’s and Genelli’s "Dante-Symphonie" Project in: Music in Art, Bd. 38, 2013, S. 201–211