Bibliografie

Vanessa Renee Sheldon

Franz Liszt and the Harp. An Examination of His Lifelong Interactions with Harpists and Transcriptions of Four Solo Piano Compostions für Harp

Tucson 2005

Michael Abu Hamad

True Interpreters of Words. Tonal Distance in Franz Liszt's Early Songs

2005

Alan Davison

Virtuosity Domesticated. Portraits of Franz Liszt by Two Biedermeier Artists

in: Nineteenth-century Music Review, Bd. 2, 2005, S. 3–22

Klára Hamburger

Understanding the Hungarian Reception History of Liszt's "Des Bohémiens et de leur musique en Hongrie" (1859/1881)

in: JALS, Bd. 54–56, 2005, S. 75–84

Paul Allen Bertagnolli

Transcribing "Prometheus"

in: JALS, Bd. 54–56, 2005, S. 134–155

Paul Merrick

Two Keys for Six Pieces. Tonality and Liszt's "Consolations"

in: JALS, Bd. 54–56, 2005, S. 125–133

Paul Merrick

The Choral Works of Liszt

in: Liszt Society Journal, Bd. 30, 2005, S. 8-11

Pauline Pocknell

Reading Liszt's Hands. Molds, Casts and Replicas as Guides to Contemporary Creative Representations

in: JALS, Bd. 54–56, 2005, S. 171–190

Michael Allis

Promoting the Cause. Liszt Reception and Walter Bache's London Concerts 1865–87

in: Liszt Society Journal, Bd. 30, 2005, S. 12–43

Zsuzsanna Domokos

Liszt's Roman Experience of Palestrina in 1839. The Importance of Fortunato Santini's Library

in: JALS, Bd. 54–56, 2005, S. 45–56