Bibliografie

Jay Michael Rosenblatt

The Concerto as Crucible. Franz Liszt's Early Works for Piano and Orchestra

Chicago 1995

Hanna Wróblewska-Straus, Mária Eckhardt

Chopin and Liszt. An Exhibition Organized in Cooperation with the Franz Liszt Memorial Museum in Budapest

Warschau 1995

Kerry Murphy

Liszt and Virtuosity in Paris in the 1830s. The Artist as Romantic Hero

in: Essays in Honour of David Evatt Tunley, herausgegeben von Frank Callaway, Nedlands 1995, S. 91–103

M. W. A. Smith

Virtuoso Pianism from the QWERTY Keybord. The Electronic Realization of Liszt's Scores

in: Computers and the Humanities, Bd. 29, 1995, S. 285–296

Richard Zimdars

Von Bülow at the Helm. The Piano Master Classes of Hans von Bülow, 1884–1887

in: JALS, Bd. 38, 1995, S. 27–36

Serge Gut

Swiss Influences on the Compositions of Franz Liszt

in: JALS, Bd. 38, 1995, S. 1–22

Calvin Elliker

The Autograph Manuscript of Franz Liszt's "Ab irato"

in: Notes, Bd. 51, 1994–1995, S. 1238–1253

Albert Brussee

The first cycle of "Harmonies poétiques et religieuses": A Brief Survey

in: Liszt Society Journal, Bd. 20, 1995, S. 7–37

Dezső Legány

The Coming of French and Belgian Music to Budapest and Liszt's Role

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 36, 1995, S. 39–46

Isabelle Bélance-Zank

The "Three-Hand" Texture: Origins and Use

in: JALS, Bd. 38, 1995, S. 99–121