Bibliografie

Leigh Harrold

To Hell and Back. What the music of Liszt can teach us about Charles Ives

in: Liszt Society Journal, Bd. 40, 2015, S. 33–51

Carissa Reddick

Transcending Palestrina. The Blend of Old and New Styles in Liszt's Missa Choralis

in: JALS, Bd. 65, 2015, S. 73–96

Paul Merrick

The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work

in: Liszt Society Journal, Bd. 40, 2015, S. 3–15

Stephen Armstrong

Liszt's Rational Virtuosity Textural Transformation and the B-Minor Ballade

in: JALS, Bd. 66, 2015, S. 5–22

Frances Jones

Liszt and the Alphorn

in: Liszt Society Journal, Bd. 40, 2015, S. 19–32

Martin Adler

Franz Liszt and Maria Pavlovna Romanova. An Homage to the Grand Duchess in Liszt's Petrarch Sonnet Number 47

in: JALS, Bd. 66, 2015, S. 23–33

Jorge Modolell

Evaluating the Reception of Liszt's Symphonic and Choral Works in Nineteenth-Century America

in: JALS, Bd. 66, 2015, S. 34–50

Wataru Fukuda

A little-known version of Liszt's song Angiolin dal biondo crin. A study based on an autograph discovered in Tokyo

in: Quaderni dell'Istituto Liszt, Bd. 15, 2015, S. 49–68

Leon Plantinga

Why the Virtuosi Stopped Playing

in: "En pèlerinage avec Liszt": Virtuosos, repertoire and performing venues in 19th-century Europe, herausgegeben von Fulvia Morabito, Turnhout 2014, S. 249–258

David Gasche

Johann Nepomuk Hummel et la conception d’une nouvelle identité sonore: La Parthia en Mi♭ (1803)

in: "En pèlerinage avec Liszt": Virtuosos, repertoire and performing venues in 19th-century Europe, herausgegeben von Fulvia Morabito, Turnhout 2014, S. 167–183