Bibliografie

Deborah Crisp

Liszt's Monument to Bach. The Variations on "Weinen, Klagen, Sorgen, Zagen" for Solo Piano

in: Musicology Australia, Bd. 21, 1998, S. 37-49

Franz Liszt

St. Stanislaus: Scene 1, Two Polonaise, Scene 4

in: Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, Bd. 26, herausgegeben von Paul Allen Munson, 1998

William Wright

Liszt and the Cheetwood Connection

in: Liszt Society Journal, Bd. 23, 1998, S. 5–16

Ken Johansen

Gabriel Fauré and the Art of Ambiguity

in: JALS, Bd. 43, 1998, S. 8–44

Wataru Fukuda

"Drei Zigeuner", "Gebet", and "Ave maris stella" from Liszt's Manuscripts in the Richard Wagner Museum at Bayreuth

in: JALS, Bd. 44, 1998, S. 24–34

John Schuster-Craig

"Bizarre Harmony and the So-Called Newest Style". The Harmonic Language of Rimsky-Korsakov's "Le Coq D'Or"

in: JALS, Bd. 43, 1998, S. 45–55

Wataru Fukuda

An Unknown Version of Liszt's Cantico di San Francesco

in: Liszt Society Journal, Bd. 23, 1998, S. 17–26

János Breuer

Zoltán Kodály on Liszt

in: Liszt Society Journal, Bd. 22, 1997, S. 9-12

Harold C. Schonberg

Virtuoso, Charlatan – and Prophet. Franz Liszt

in: The Life of the Great Composers, New York 1997, S. 197-210

M. W. A. Smith

The Origin of Liszt's Simplification of His 'Grand Galop Chromatique'

in: Music & Letters, Bd. 78, Mai 1997, S. 254-255