Liszt-Portal: Bibliografie

46 Treffer

Liszt's Plan for a German "Année de pèlerinage". "Was ist des Deutschen Vaterland?"

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 47, 2006, S. 19–38

Mahler's Liszt and the Hermeneutics of Chant

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 46, 2005, S. 383–402

Liszt's sans ton Key Signature

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302

"Ich dirigiere mit Vergnügen..." Liszt's Influence on Richard Strauss. Strauss Conducts Franz Liszt

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 43, 2002, S. 73–92

"nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira"

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372

Mária P. Eckhardt (Hg.)

Franz Liszt and Advanced Musical Education in Europe, International Conference Budapest, 11.–14. November 2000

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, herausgegeben von Mária P. Eckhardt, 2001, S. 1–212

Zsuzsanna Domokos

The Performance Practice of the Cappella Sistina as Reflected in Liszt's Church Music

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 41, 2000, S. 389–406

The Role of Tonality in the Swiss Book of Années de Pèrerinage

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 39, 1998, S. 367–383

The Coming of French and Belgian Music to Budapest and Liszt's Role

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 36, 1995, S. 39–46

Adrienne Kaczmarczyk

The Genesis of the "Funérailles": The Connection Between Liszt's "Symphonie révolutionnaire" and the Cycle "Harmonies poétiques et religieuses"

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 35, 1993-1994, S. 361–398

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