Bibliografie

Nikita Mamedov

Integration of Schenkerian analysis and neo-Riemannian transformations in Liszt’s Transcendental étude, no. 1

in: Musicology and Cultural Science, Bd. 1, 2019, S. 45-50

Hyun Joo Kim

Liszt's representation of instrumental sounds on the piano. Colors in black and white

Rochester 2019

Joanne Cormac

Death and resurrection motifs in narratives of Berlioz’s and Liszt’s lives. D’Ortigue, Ramann, and Berlioz’s Mémoires

in: Journal of Musicological Research, Bd. 38, 2019, S. 216-232

Jonathan Kregor

Liszt's Faust complexes

in: The Oxford handbook of Faust in music, herausgegeben von Lorna Fitzsimmons, New York 2019, S. 145-168

Bozhidar Chapkanov

An analytical study into Weitzmann regions in the late piano works of Franz Liszt

in: Rivista di analisi e teoria musicale, Bd. 25, 2019, S. 59-90

Joanne Cormac

Intertextuality, subjectivity, and meaning in Liszt’s Deux polonaises

in: The musical quarterly, Bd. 102, 2019, S. 111-152

Elisabeth Reisinger

Heaven and hell. Performances of Liszt’s works and their reception in Rome, 1861–1886

in: Studia Musicologica: An international journal of musicology of the Hungarian Academy of Sciences, Bd. 60, 2019, S. 169-185

Nicolas Dufetel

La lithographie au service de l’alliance intime entre image et musique au XIXe siècle. Une étude de cas. Krätzschmer, Schumann et Liszt

in: Musique – Images – Instruments: Mélanges en l'honneur de Florence Gétreau, herausgegeben von Yves Balmer, Turnhout 2019, S. 105-128

Małgorzata Gamrat

Liszt's Manuscripts at the Adam Mickiewicz Museum of Literature in Warsaw. A Preliminary Study

in: Liszt-Jahrbuch, Bd. 3, herausgegeben von Christiane Wiesenfeldt, 2019, S. 50-64

Michael Short

Franz Liszt and Felix Lichnowsky Part II (from 1845)

in: Liszt Society Journal, Bd. 43, 2018, S. 46-69