Joanne Cormac
Intertextuality, subjectivity, and meaning in Liszt’s Deux polonaises
in: The musical quarterly, Bd. 102, 2019, S. 111-152
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Elisabeth Reisinger
Heaven and hell. Performances of Liszt’s works and their reception in Rome, 1861–1886
in: Studia Musicologica: An international journal of musicology of the Hungarian Academy of Sciences, Bd. 60, 2019, S. 169-185
Marco Stassi
Continuità strutturale nelle Consolations di Franz Liszt
in: Quaderni dell'Istituto Liszt, Bd. 19, 2019, S. 11-62
Pier Carmine Garzillo
Lo 'strano segreto' del Totentanz di Liszt: Un'indagine musicologica
in: I quaderni del Conservatorio Domenico Cimarosa, Bd. 5, 2019, S. 87-116
Małgorzata Gamrat
Liszt's Manuscripts at the Adam Mickiewicz Museum of Literature in Warsaw. A Preliminary Study
in: Liszt-Jahrbuch, Bd. 3, herausgegeben von Christiane Wiesenfeldt, 2019, S. 50-64
Michael Short
Franz Liszt and Felix Lichnowsky Part II (from 1845)
in: Liszt Society Journal, Bd. 43, 2018, S. 46-69
Michael Saffle
Little-known American Liszt Editions of the 1840s and 1850s. A Preliminary Report
in: Liszt Society Journal, Bd. 43, 2018, S. 36-45
Michael Saffle
Liszt Catalogues and His Reputation as a Composer
in: Liszt Society Journal, Bd. 43, 2018, S. 2-9
Bruno Moysan
Liszt and Théophile Gautier, readers of Donizetti's Lucrezia Borgia
in: Liszt Society Journal, Bd. 43, 2018, S. 23-35
Kenneth DeLong
Franz Liszt as Musical Tourist. Venezia e Napoli (1840/1859)
in: Liszt Society Journal, Bd. 43, 2018, S. 10-22