Bibliografie

Małgorzata Gamrat

Palimpsest, quotation, paraphrase, or self-allusion? Several remarks on Franz Liszt’s songs to texts by Pierre-Jean de Béranger in the context of a comparative study

in: Liszt-Jahrbuch, Bd. 2, herausgegeben von Christiane Wiesenfeldt, 2018, S. 26-42

Coady Green

A Pre-recording Reflection on Anton Rubinstein's Opus 23 Études

in: Liszt Society Journal, Bd. 42, 2017, S. 9-24

David Trippett

Towards a retrieval of Franz Liszt's uncompleted opera Sardanapale

in: Liszt Society Journal, Bd. 42, 2017, S. 3-8

William Wright

Johann Pixis, Caprice Dramatique op. 116. Early model for Liszt's Réminiscences de Robert le Diable S413

in: Liszt Society Journal, Bd. 42, 2017, S. 47-62

Scott Burnham

The Stillness of Time, the Fullness of Space. Four Settings of Goethe's "Wandrers Nachtlied"

in: 19th Century Music, Bd. 40, 2017, S. 189-200

John Graziano

MacDowell, Liszt, and the symphonic tone poem

in: Very good for an American. Essays on Edward MacDowell, herausgegeben von E. Douglas Bomberger, Hillsdale, NY 2017, S. 83-104

Walter Tortoreto

"Un aristocratico di stirpe divina". Chopin visto da Liszt

in: Fryderyk Chopin, il poeta del pianoforte: Atti del Convegno di Studi Chieti (17–18 ottobre 2009), herausgegeben von Marina Esposito, Lucca 2017, S. 69–102

Alberto Mammarella

La Liedtranskription. Liszt e la riscrittura per pianoforte dei canti polacchi op. 74 di Chopin

in: Fryderyk Chopin, il poeta del pianoforte: Atti del Convegno di Studi Chieti (17–18 ottobre 2009), herausgegeben von Marina Esposito, Lucca 2017, S. 231–270

Giorgio Monari

Ave verum corpus. Liszt, Mozart e Allegri

in: Ars Sacra 2013: Musica sacra e liturgia nelle cappelle musicali, testimonianze e testimoni, herausgegeben von Luciano Rossi, Rom 2017, S. 559-578

Michael Vitalino

Liszt’s "Poisoned" Song. Examining the Versions and Poetic Interpretations of Vergiftet sind meine Lieder

in: Indiana Theory Review, Bd. 34, 2017, S. 1-22