Nicholas Susi Writing a musical icon. The double-tonic complex in Liszt’s Legend no. 1 "St. François d’Assise: La prédication aux oiseaux" in: JALS, Bd. 70-71, 2020, S. 5-21
Philip Lambert Half-diminished seventh chords and their contexts in: Music analysis, Bd. 39, 2020, S. 277–313
Imre Kovács À la Chapelle Sixtine: On the Cultural Context of Liszt's Synesthetic Experience in: Music and the figurative arts in the nineteenth century, herausgegeben von Roberto Illiano, Turnhout 2020, S. 327-342
Małgorzata Grajter Translating words into music. Elements of pictorialness in the song transcriptions of Franz Liszt in: Music and the figurative arts in the nineteenth century, herausgegeben von Roberto Illiano, Turnhout 2020, S. 389-402
Wataru Fukuda Franz Liszt's Cantico del Sol: A Source Study in: Studia Musicologica, Bd. 61, 2020, S. 381–396
Erinn E. Knyt Franz Liszt's Heir: Ferruccio Busoni and Weimar in: Nineteenth-century music review, Bd. 17, 2020, S. 35-67
Maria Teresa Arfini L'approccio di Liszt alle arti figurative in: Music and the figurative arts in the nineteenth century, herausgegeben von Roberto Illiano, Turnhout 2020, S. 343–360
Mariateresa Storino Le triomphe de la mort. Il Totentanz di Liszt come espressione dell'unità delle arti in: Music and the figurative arts in the nineteenth century, herausgegeben von Roberto Illiano, Turnhout 2020, S. 361-388