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Virginia E. Whealton Franz Liszt’s Album d’un voyageur. Music, memorials, and the Anthropocene in: Nineteenth-century contexts: An interdisciplinary journal, Bd. 41, 2019, S. 543-563
Nikita Mamedov Integration of Schenkerian analysis and neo-Riemannian transformations in Liszt’s Transcendental étude, no. 1 in: Musicology and Cultural Science, Bd. 1, 2019, S. 45-50
Hyun Joo Kim Liszt's representation of instrumental sounds on the piano. Colors in black and white Rochester 2019
Joanne Cormac Death and resurrection motifs in narratives of Berlioz’s and Liszt’s lives. D’Ortigue, Ramann, and Berlioz’s Mémoires in: Journal of Musicological Research, Bd. 38, 2019, S. 216-232
Jonathan Kregor Liszt's Faust complexes in: The Oxford handbook of Faust in music, herausgegeben von Lorna Fitzsimmons, New York 2019, S. 145-168
Bozhidar Chapkanov An analytical study into Weitzmann regions in the late piano works of Franz Liszt in: Rivista di analisi e teoria musicale, Bd. 25, 2019, S. 59-90
Joanne Cormac Intertextuality, subjectivity, and meaning in Liszt’s Deux polonaises in: The musical quarterly, Bd. 102, 2019, S. 111-152
Elisabeth Reisinger Heaven and hell. Performances of Liszt’s works and their reception in Rome, 1861–1886 in: Studia Musicologica: An international journal of musicology of the Hungarian Academy of Sciences, Bd. 60, 2019, S. 169-185