Bibliografie

Siglind Bruhn

Il penseroso: From stone to tone. Intermedial responses between illustration and ekphrasis

in: Les grands topoï du 19e siècle et la musique de Franz Liszt, herausgegeben von Márta Grabócz, Paris 2018, S. 19-39

Małgorzata Gamrat

Palimpsest, quotation, paraphrase, or self-allusion? Several remarks on Franz Liszt’s songs to texts by Pierre-Jean de Béranger in the context of a comparative study

in: Liszt-Jahrbuch, Bd. 2, herausgegeben von Christiane Wiesenfeldt, 2018, S. 26-42

Coady Green

A Pre-recording Reflection on Anton Rubinstein's Opus 23 Études

in: Liszt Society Journal, Bd. 42, 2017, S. 9-24

David Trippett

Towards a retrieval of Franz Liszt's uncompleted opera Sardanapale

in: Liszt Society Journal, Bd. 42, 2017, S. 3-8

William Wright

Johann Pixis, Caprice Dramatique op. 116. Early model for Liszt's Réminiscences de Robert le Diable S413

in: Liszt Society Journal, Bd. 42, 2017, S. 47-62

John Graziano

MacDowell, Liszt, and the symphonic tone poem

in: Very good for an American. Essays on Edward MacDowell, herausgegeben von E. Douglas Bomberger, Hillsdale, NY 2017, S. 83-104

Viktoriâ Sergeevna Kriveženko

Интертекстуальные взаимодействия в духовных кантатно-ораториальных сочинениях Ф. Листа (Intertekstual'nye vzaimodejstviâ v duhovnyh kantatno-oratorial'nyh sočineniâh F. Lista)

in: Ûžno-Rossijskij muzykal’nyj al’manah, Bd. 2, 2017, S. 17-22

Michael Vitalino

Liszt’s "Poisoned" Song. Examining the Versions and Poetic Interpretations of Vergiftet sind meine Lieder

in: Indiana Theory Review, Bd. 34, 2017, S. 1-22

Ol'ga Aleksandrovna Abramovič, Ol’ga Mihajlovna Šuškova

Ф. Лист Обручение. О синтетизме мышления композитора (F. List Obručenie. O sintetizme myšleniâ kompozitora)

in: Muzykal'naâ akademiâ: Ežekvartal'nyj naučno-teoretičeskij i kritiko-publicističeskij žurnal, Bd. 1, 2017, S. 133–137

Robert L. Wells

A Generalized Intervallic Approach to Metric Conflict in Liszt

in: Music Theory Online, Bd. 23, 2017