Bibliografie

Dar'â Ivanovna Sannikova

Жанр mélodie в камерно-вокальном твочрестве Ф. Листа, вопросы интерпретации (Žanr mélodie v kamerno-vokal'nom tvorčestve F. Lista, voprosy interpretacii)

in: Muzykal'naâ akademiâ: Ežekvartal'nyj naučno-teoretičeskij i kritiko-publicističeskij žurnal, Bd. 3, 2017, S. 39-42

Andrew Haringer

Liszt, Urhan, and the sanctification of Schubert

in: JALS, Bd. 68, 2017, S. 5-40

Tibor Szász

Towards a new edition of Liszt’s sonata in B minor. Sources, editorial history, symbolic issues

in: JALS, Bd. 68, 2017, S. 57-108

Jonathan Kregor

Evolving Infidelity in Liszt's Einzug der Gäste auf Wartburg

in: Franz Liszt. Paraphrasen, Transkriptionen und Bearbeitungen. Referate des Symposiums Oberschützen 2011, herausgegeben von Klaus Aringer, Sinzig 2017, S. 85-108

Michael Saffle

Liszt, Musical Transnationalism, and the Symphonic Poem

in: Musicologie nouvelles, 2017, S. 103-109

Joanne Cormac

Liszt and the symphonic poem

Cambridge 2017

Małgorzata Gamrat

Between the sound and the word. Methodological challenges in the analysis of Liszt’s piano transcriptions of his own Lieder

in: Making Sense of Music. Studies in Musical Semiotics, herausgegeben von Mark Reybrouck, Costantino Maeder, Louvain 2017, S. 91-105

Nicolas Dufetel

Liszt's "authentisch-kirchlich-liturgische Jagd" or the Quest for a Gregorian Modernity

in: Liszt-Jahrbuch, Bd. 2, 2017, S. 55–74

Elliott Antokoletz

Backgrounds and Early Development (Through Liszt) of the Symphonic Poem

in: International Journal of Musicology. New Series, Bd. 3, 2017, S. 55–84

Elgin Ronayne

The Legend of St. Elisabeth. The True Story of her Life

in: Liszt Society Journal, Bd. 41, 2016, S. 13-23