Bibliografie

Péter Tóth

Symmetrical pitch constructions in Liszt's piano music

in: International Journal of Musicology, Bd. 2, 2016, S. 149-164

Hyeon-ju Kim

Translating the Orchestra. Liszt's Two-Piano Arrangements of His Symphonic Poems

in: Journal of Musicological Research, Bd. 35, 2016, S. 299-323

Anastasiâ Petrovna Ajmakanova

"Музыка будущего" в представлении Ф. Листа. Дорога за горизонт ("Muzyka buduŝego" v predstavlenii F. Lista. Doroga za gorizont)

in: Южно-Российский музыкальный альманах (Ûžno-Rossijskij muzykal’nyj al’manah), Bd. 23, 2016, S. 28–32

Anastasiâ Petrovna Ajmakanova

Позднее творчество Ф. Листа. музыкально-теоретическая рефлексия в зарубежном музыкознании (Pozdnee tvorčestvo F. Lista. Muzykal'no-teoretičeskaâ refleksiâ v zarubežnom muzykoznanii)

in: Южно-Российский музыкальный альманах (Ûžno-Rossijskij muzykal’nyj al’manah), Bd. 24, 2016, S. 25–31

William Wright

Liszt and England

Hillsdale 2016

Ákos Windhager

Playing with Anthems. The Formation of the Cult of Empress Elisabeth in Hungarian Music

in: Muzikologija/Musicology. Journal of the Institute of Musicology, Bd. 20, 2016, S. 31–51

Ecaterina Banciu

Liszt – Programatic Ideals. Harmonies poétiques et réligieuses

in: Studia Universitatis Babes-Bolyai, Bd. 61, 2016, S. 55–81

Alexandra Marinescu

Liszt – Portrait of a Musician. Dante Symphony

in: Studia Universitatis Babes-Bolyai, Bd. 61, 2016, S. 211–234

Imre Kovács

Liszt's Hungaro-European Synthesis. Comments relating to the Cultural-historic Context of The Three Kings March of the Christus oratorio

in: Studia Musicologica, Bd. 57, 2016, S. 379–390

Jacquelyn Sholes

Joseph Joachim’s Overture to 'Hamlet' in relation to Liszt and Shakespeare

in: Ad Parnassum. A journal of eighteenth- and nineteenth-century instrumental music, Bd. 14, 2016, S. 37–76