Hyeon-ju Kim
Interpretive fidelity to Gypsy creativity. Liszt’s representations of Hungarian-Gypsy cimbalom playing
in: JALS, Bd. 67, 2016, S. 27-71
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Allan Keiler
Liszt as Romantic hero. Imposturing and the false self
in: JALS, Bd. 67, 2016, S. 72-84
Christiane Tewinkel (Hg.)
A Californian Liszt legacy. The pianist Hugo Mansfeldt and his pupils Alma Stencel and Else Cellarius
Sinzig 2016
Shay Loya
Recomposing National Identity. Four Transcultural Readings of Liszt's Marche Hongroise d'après Schubert
in: Journal of the American Musicological Society, Bd. 69, 2016, S. 409-476
Péter Tóth
Symmetrical pitch constructions in Liszt's piano music
in: International Journal of Musicology, Bd. 2, 2016, S. 149-164
Hyeon-ju Kim
Translating the Orchestra. Liszt's Two-Piano Arrangements of His Symphonic Poems
in: Journal of Musicological Research, Bd. 35, 2016, S. 299-323
William Wright
Liszt and England
Hillsdale 2016
Zsuzsanna Domokos
Liszt Ferenc Esztergomi miséje Mosonyi Mihály interpretációjában (Liszt’s Graner Messe in Mihály Mosonyi’s Transcription)
in: Magyar zene: Zenetudományi folyóirat, Bd. 54, 2016, S. 311-316
Ákos Windhager
Playing with Anthems. The Formation of the Cult of Empress Elisabeth in Hungarian Music
in: Muzikologija/Musicology. Journal of the Institute of Musicology, Bd. 20, 2016, S. 31–51
Ecaterina Banciu
Liszt – Programatic Ideals. Harmonies poétiques et réligieuses
in: Studia Universitatis Babes-Bolyai, Bd. 61, 2016, S. 55–81