Bibliografie

David Larkin

Dancing to the Devil’s Tune. Liszt's 'Mephisto Waltz' and the Encounter with Virtuosity

in: 19th-Century Music, Bd. 38, 2015, S. 193–218

Andrew H. Weaver

Towards a Narratological Analysis of the Romantic Lied. Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music

in: Music & Letters, Bd. 95, 2014, S. 374–403

David Trippett

Après une lecture de Liszt: Virtuosity and Werktreue in the "Dante" Sonata

in: 19th-Century Music, Bd. 32, 2008, S. 52-93

Vera Micznik

The Absolute Limitations of Programme Music: The Case of Liszt's "Die Ideale"

in: Music & Letters, Bd. 80, 05.1999, S. 207-240

M. W. A. Smith

The Origin of Liszt's Simplification of His 'Grand Galop Chromatique'

in: Music & Letters, Bd. 78, Mai 1997, S. 254-255

Paul Allen Munson

The Librettos for Liszt's Oratorio "St. Stanislaus"

in: Music & Letters, Bd. 77, 1997, S. 532–550

John Williamson

The Revision of Liszt's "Prometheus"

in: Music & Letters, Bd. 67, 1986, S. 381–390

Alan Walker

Schumann, Liszt and the C Major Fantasie Op. 17. A Declining Relationship

in: Music & Letters, Bd. 60, 1979, S. 156–165

Alexander Main

Liszt after Lamartine. "Les Préludes"

in: Music & Letters, Bd. 60, 1979, S. 133-148

Martin Cooper

Liszt as a Song Writer

in: Music & Letters, Bd. 19, 1938, S. 171–181