Michael Vitalino Liszt’s "Poisoned" Song. Examining the Versions and Poetic Interpretations of Vergiftet sind meine Lieder in: Indiana Theory Review, Bd. 34, 2017, S. 1-22
Jason Yust Distorted Continuity. Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings in: Music Theory Spectrum, Bd. 37, 2015, S. 120–143
Ramon Satyendra Liszt's Open Structures and the Romantic Fragment in: Music Theory Spectrum, Bd. 19, 1997, S. 184–205
Howard Cinnamon Tonal Arpeggiation and Successive Equal Third Relations as Elements of Tonal Evolution in the Music of Franz Liszt in: Music Theory Spectrum, Bd. 8, 1986, S. 1–24
Andrew Fowler Franz Liszt's "Petrarch Sonnets". The Persistent Poetic Problem in: Indiana Theory Review, Bd. 7, 1986, S. 48–68
David Newmeyer Liszt's "Sonetto 104 del Petrarca". The Romantic Spirit and Voiceleading in: Indiana Theory Review, Bd. 2, 1979, S. 2–22