Michael Vitalino Liszt’s "Poisoned" Song. Examining the Versions and Poetic Interpretations of Vergiftet sind meine Lieder in: Indiana Theory Review, Bd. 34, 2017, S. 1-22
Peter Bozó Liszt's Plan for a German "Année de pèlerinage". "Was ist des Deutschen Vaterland?" in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 47, 2006, S. 19–38
Bennett Zon Mahler's Liszt and the Hermeneutics of Chant in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 46, 2005, S. 383–402
Paul Merrick Liszt's sans ton Key Signature in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Kenneth Birkin "Ich dirigiere mit Vergnügen..." Liszt's Influence on Richard Strauss. Strauss Conducts Franz Liszt in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 43, 2002, S. 73–92
Paul Merrick "nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira" in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372
Mária P. Eckhardt (Hg.) Franz Liszt and Advanced Musical Education in Europe, International Conference Budapest, 11.–14. November 2000 in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, herausgegeben von Mária P. Eckhardt, 2001, S. 1–212
Zsuzsanna Domokos The Performance Practice of the Cappella Sistina as Reflected in Liszt's Church Music in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 41, 2000, S. 389–406
Paul Merrick The Role of Tonality in the Swiss Book of Années de Pèrerinage in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 39, 1998, S. 367–383
Dezső Legány The Coming of French and Belgian Music to Budapest and Liszt's Role in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 36, 1995, S. 39–46