Bibliografie

Sławomira Żerańska-Kominek

Poetic Images of Nightingale in the Art Song. On Some Aspects of Musical Meaning

in: Interdisciplinary Studies in Musicology, Bd. 19, 2019, S. 117-134

Elisabeth Reisinger

Heaven and hell. Performances of Liszt’s works and their reception in Rome, 1861–1886

in: Studia Musicologica: An international journal of musicology of the Hungarian Academy of Sciences, Bd. 60, 2019, S. 169-185

Michele Calella

Raphael, the Virgin Mary, and Holy Matrimony. Recontextualizing Franz Liszt's Sposalizio

in: Studia Musicologica: An international journal of musicology of the Hungarian Academy of Sciences, Bd. 59, 2018, S. 3-20

Anna Baranyi

Fülöp Ö. Beck’s Liszt interpretation in his 1911 series of plaques

in: Studia Musicologica: An international journal of musicology of the Hungarian Academy of Sciences, Bd. 55, 2014, S. 157–168

Márta Grabócz

The Two Faces of the 'mal du siècle' in Literature and in Liszt’s Piano Works

in: Studia Musicologica: An international journal of musicology of the Hungarian Academy of Sciences, Bd. 55, 2014, S. 43–64

Suzanne Marie Francis

Liszt at the Piano. The Impact of Iconography on Mid-nineteenth Century Musicology

in: Studia Musicologica: An international journal of musicology of the Hungarian Academy of Sciences, Bd. 55, 2014, S. 131–143

Márta Grabócz

Narrative strategies of the Romantic "philosophical epics" in the piano works of Franz Liszt (Analysis of Sposalizio, Valée D’Obermann, Ballade No. 2 and the Sonata in B minor)

in: Interdisciplinary Studies in Musicology, Bd. 14, 2014, S. 113–135

Przemysław Krzywoszyński

Gaetano Donizetti by Franz Liszt, the piano in the service of the opera

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 141–154

Leszek Polony

The 'Faust' or 'Lucifer' Sonata? On Liszt’s idea of programme music as exemplified by his Piano Sonata in B minor

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 17–28

Ziemowit Wojtczak

Between opera and the Lied. 'Tre sonetti di Petrarca' by Franz Liszt

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 57–66