Jason Yust Distorted Continuity. Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings in: Music Theory Spectrum, Bd. 37, 2015, S. 120–143
Andrew H. Weaver Towards a Narratological Analysis of the Romantic Lied. Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music in: Music & Letters, Bd. 95, 2014, S. 374–403
Vera Micznik The Absolute Limitations of Programme Music: The Case of Liszt's "Die Ideale" in: Music & Letters, Bd. 80, 05.1999, S. 207-240
M. W. A. Smith The Origin of Liszt's Simplification of His 'Grand Galop Chromatique' in: Music & Letters, Bd. 78, Mai 1997, S. 254-255
Paul Allen Munson The Librettos for Liszt's Oratorio "St. Stanislaus" in: Music & Letters, Bd. 77, 1997, S. 532–550
Ramon Satyendra Liszt's Open Structures and the Romantic Fragment in: Music Theory Spectrum, Bd. 19, 1997, S. 184–205
Howard Cinnamon Tonal Arpeggiation and Successive Equal Third Relations as Elements of Tonal Evolution in the Music of Franz Liszt in: Music Theory Spectrum, Bd. 8, 1986, S. 1–24
Alan Walker Schumann, Liszt and the C Major Fantasie Op. 17. A Declining Relationship in: Music & Letters, Bd. 60, 1979, S. 156–165