Bibliografie

Jason Yust

Distorted Continuity. Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings

in: Music Theory Spectrum, Bd. 37, 2015, S. 120–143

Peter Bozó

Liszt's Plan for a German "Année de pèlerinage". "Was ist des Deutschen Vaterland?"

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 47, 2006, S. 19–38

Bennett Zon

Mahler's Liszt and the Hermeneutics of Chant

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 46, 2005, S. 383–402

Paul Merrick

Liszt's sans ton Key Signature

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302

Kenneth Birkin

"Ich dirigiere mit Vergnügen..." Liszt's Influence on Richard Strauss. Strauss Conducts Franz Liszt

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 43, 2002, S. 73–92

Paul Merrick

"nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira"

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372

Mária P. Eckhardt (Hg.)

Franz Liszt and Advanced Musical Education in Europe, International Conference Budapest, 11.–14. November 2000

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, herausgegeben von Mária P. Eckhardt, 2001, S. 1–212

Zsuzsanna Domokos

The Performance Practice of the Cappella Sistina as Reflected in Liszt's Church Music

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 41, 2000, S. 389–406

Paul Merrick

The Role of Tonality in the Swiss Book of Années de Pèrerinage

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 39, 1998, S. 367–383

Ramon Satyendra

Liszt's Open Structures and the Romantic Fragment

in: Music Theory Spectrum, Bd. 19, 1997, S. 184–205