Bibliografie

Jason Yust

Distorted Continuity. Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings

in: Music Theory Spectrum, Bd. 37, 2015, S. 120–143

Jonahtan Kregor

Stylistic reconstructions in Liszt's late arrangements

in: The Musical Quarterly, Bd. 91, 2008, S. 200-239

Ramon Satyendra

Liszt's Open Structures and the Romantic Fragment

in: Music Theory Spectrum, Bd. 19, 1997, S. 184–205

E. Douglas Bomberger

Charting the Future of "Zukunftsmusik". Liszt and the Weimar Orchesterschule

in: The Musical Quarterly, Bd. 80, 1996, S. 348–361

Howard Cinnamon

Tonal Arpeggiation and Successive Equal Third Relations as Elements of Tonal Evolution in the Music of Franz Liszt

in: Music Theory Spectrum, Bd. 8, 1986, S. 1–24

Robert Stevenson

Liszt at Madrid and Lisbon: 1844–45

in: The Musical Quarterly, Bd. 65, 1979, S. 493–512

Rey M. Longyear

The Text of Liszt's B Minor Sonata

in: The Musical Quarterly, Bd. 60, 1974, S. 435–450

William S. Newman

Liszt's Interpretation of Beethoven's Piano Sonatas

in: The Musical Quarterly, Bd. 58, 1972, S. 185–209

Ottis B. Boise

An American Composer Visits Liszt

in: The Musical Quarterly, Bd. 43, 1957, S. 316–325

Edward Waters

Liszt and Longfellow

in: The Musical Quarterly, Bd. 41, 1955, S. 1–25