Paul Merrick Responses and Antiphons. Liszt in 1860 in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 187–194
Lajos Zeke "Successive Polymodality" or Different Juxtaposed Modes Based on the Same Final in Liszt's Works. New Angle on the "Successive and Simultaneous" Unity of Liszt's Musical Language in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 173–185
Dezső Legány Hungarian Historical Portraits in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 79–88
Alan Walker Liszt and Agnes Street-Klindworth. A Spy in the Court of Weimar? in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 47–63
Charles Suttoni Young Liszt, Beethoven and Madame Butterfly in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 21–34
Rey M. Longyear, Kate R. Covington Tonal and Harmonic Structures in Liszt's Faust Symphony in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 153–171
Rena Charnin Mueller Liszt's Tasso Sketchbook. Studies in Sources and Chronology in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 273–293
Allan Keiler Liszt and the Weimar Hoftheater in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 431–450
Paul Merrick Liszt's Transfer from Weimar to Rome. A Thwarted Marriage in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 21, 1979, S. 219–238
Dezső Legány Liszt's and Erkel's Relations and Students in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 18, 1976, S. 19–50