Geraldine Keeling Liszt at the Piano. Two American Pianos and Two American Artists in: Studia Musicologica, Bd. 55, 2014, S. 145-155
Michael Allis Promotion through performance. Liszt’s symphonic poems in the London concerts of Walter Bache in: Europe, Empire, and Spectacle in Nineteenth-Century British Music, herausgegeben von Rachel Cowgill, Julian Rushton, Aldershot 2007, S. 55–76
Michael Allis "Remarkable force, finish, intelligence and feeling". Reassessing the pianism of Walter Bache in: The Piano in Nineteenth-Century British Culture. Instruments, Performers and Repertoire, herausgegeben von Susan Wollenberg, Therese Ellsworth, Aldershot 2007, S. 193–215
Michael Allis Promoting the Cause. Liszt Reception and Walter Bache's London Concerts 1865–87 in: Liszt Society Journal, Bd. 30, 2005, S. 12–43
Geraldine Keeling Concert Announcements Programs and Reviews as Evidence for First or Early Performances by Liszt of His Keyboard Works to 1847 in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 34, 1992, S. 397-404
Geraldine Keeling, Adrian Williams The Liszt Centenary Year. Some Festivals and Symposia in: Liszt Society Journal, Bd. 12, 1987, S. 54–57
Geraldine Keeling Liszt's Appearances in Parisian Concerts, 1824–1844. Part 2: 1834–1844 in: Liszt Society Journal, Bd. 12, 1987, S. 8–21
Geraldine Keeling The Liszt Pianos. Some Aspects of Preference and Technology in: The New Hungarian Quarterly, Bd. 27, 1986, S. 220–232
Geraldine Keeling Liszt's Appearances in Parisian Concerts, 1824–1844. Part 1: 1824–1833 in: Liszt Society Journal, Bd. 11, 1986, S. 22–34
Geraldine Keeling Liszt Pianos – Année de Pèlerinage in: Liszt Society Journal, Bd. 10, 1985, S. 12–20