Paul Merrick The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Paul Merrick "Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome in: Studia Musicologica, Bd. 55, 2014, S. 17–26
Michael Allis Promotion through performance. Liszt’s symphonic poems in the London concerts of Walter Bache in: Europe, Empire, and Spectacle in Nineteenth-Century British Music, herausgegeben von Rachel Cowgill, Julian Rushton, Aldershot 2007, S. 55–76
Michael Allis "Remarkable force, finish, intelligence and feeling". Reassessing the pianism of Walter Bache in: The Piano in Nineteenth-Century British Culture. Instruments, Performers and Repertoire, herausgegeben von Susan Wollenberg, Therese Ellsworth, Aldershot 2007, S. 193–215
Paul Merrick Two Keys for Six Pieces. Tonality and Liszt's "Consolations" in: JALS, Bd. 54–56, 2005, S. 125–133
Michael Allis Promoting the Cause. Liszt Reception and Walter Bache's London Concerts 1865–87 in: Liszt Society Journal, Bd. 30, 2005, S. 12–43
Paul Merrick Liszt's sans ton Key Signature in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Paul Merrick "nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira" in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372