Hyeon-ju Kim Liszt’s Composer-Mindset Response to the Critique of Opera Fantasy in: Eum'ak nondan/Journal of the science and practice of music, Bd. 39, 2018, S. 151-195
Hyeon-ju Kim Interpretive fidelity to Gypsy creativity. Liszt’s representations of Hungarian-Gypsy cimbalom playing in: JALS, Bd. 67, 2016, S. 27-71
Hyeon-ju Kim Translating the Orchestra. Liszt's Two-Piano Arrangements of His Symphonic Poems in: Journal of Musicological Research, Bd. 35, 2016, S. 299-323
Alfred Brendel Turning the Piano into an Orchestra. Liszt's Transcriptions and Paraphrases in: Alfred Brendel on Music. Collected Essays, London 2001, S. 282 - 287
Alfred Brendel The Noble Liszt in: Alfred Brendel on Music. Collected Essays, London 2001, S. 244–253
Alfred Brendel Liszt's Piano Playing in: Alfred Brendel on Music. Collected Essays, London 2001, S. 279-281
Alfred Brendel Liszt and the Piano Circus. An Afterthought in: Alfred Brendel on Music. Collected Essays, London 2001, 241-243
Alfred Brendel Liszt's Hungarian Rhapsodies in: Alfred Brendel on Music. Collected Essays, London 2001, S. 269-272
Alfred Brendel Liszt's Bitterness of Heart in: Alfred Brendel on Music. Collected Essays, London 2001, S. 273-277
Alfred Brendel Liszt's B minor Sonata in: Alfred Brendel on Music. Collected Essays, London 2001, S. 262-268