Anna Harwell Celenza Italy in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 29-37
Anna Harwell Celenza Patronage. The court in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 133-140
Serge Gut Similarities and Divergences in the Piano Works of Liszt and Debussy in: Liszt Society Journal, Bd. 37, 2012, S. 34–50
Anna Harwell Celenza Liszt, Italy, and the Republic of the Imagination in: Franz Liszt and his World, herausgegeben von Christopher H. Gibbs, Dana Gooley, Princeton, Oxford 2006, S. 3-38
Anna Harwell Celenza The Poet, the Pianist and the Patron. Hans Christian Andersen and Franz Liszt in Carl Alexander's Weimar in: 19th Century Music, Bd. 26, 2003, S. 130–154
Anna Harwell Celenza Death Transfigured. The Origins and Evolution of Franz Liszt's Totentanz in: Ninteteenth-Century Music. Selected Proceedings of the Tenth International Conference, herausgegeben von Jim Samson, Bennett Zon, Adlershot 2002, S. 125–154
Serge Gut The Chronological and Pschological Reasons for a Double Motivic Relationship in the Harmonies poétiques et religieuses in: Liszt Society Journal, Bd. 24, 1999, S. 4–15
Serge Gut Nationalism and Supranationalism in Liszt in: Liszt Society Journal, Bd. 19, 1994, S. 28–35