Anna Harwell Celenza Italy in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 29-37
Anna Harwell Celenza Patronage. The court in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 133-140
Anna Harwell Celenza Liszt, Italy, and the Republic of the Imagination in: Franz Liszt and his World, herausgegeben von Christopher H. Gibbs, Dana Gooley, Princeton, Oxford 2006, S. 3-38
Pauline Pocknell Reading Liszt's Hands. Molds, Casts and Replicas as Guides to Contemporary Creative Representations in: JALS, Bd. 54–56, 2005, S. 171–190
Pauline Pocknell Liszt and Pius IX: The Politico-religious Connection in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 61-104
Anna Harwell Celenza The Poet, the Pianist and the Patron. Hans Christian Andersen and Franz Liszt in Carl Alexander's Weimar in: 19th Century Music, Bd. 26, 2003, S. 130–154
Anna Harwell Celenza Death Transfigured. The Origins and Evolution of Franz Liszt's Totentanz in: Ninteteenth-Century Music. Selected Proceedings of the Tenth International Conference, herausgegeben von Jim Samson, Bennett Zon, Adlershot 2002, S. 125–154
Pauline Pocknell Franz Liszt's Unpublished Pocket-Diary for 1832. A Guide to his Memories in: Liszt 2000. Selected Lectures Given at the International Liszt Conference in Budapest, May 18.-20. 1999, herausgegeben von Klára Hamburger, Budapest 2000, S. 52–77
Pauline Pocknell Franz Liszt to "Monsieur Guhr". A Hitherto Unpublished Note to a Hitherto Unsuspected Correspondent in: JALS, Bd. 48, 2000, S. 1–16