Robert Stevenson Liszt's "Favorite" California Pupil. Hugo Mansfeldt (1844–1932). Part I in: JALS, Bd. 21, 1987, S. 42–58
Robert Stevenson Liszt's "Favorite" California Pupil. Hugo Mansfeldt (1844–1932). Part II in: JALS, Bd. 22, 1987, S. 27–45
Howard Cinnamon Tonal Arpeggiation and Successive Equal Third Relations as Elements of Tonal Evolution in the Music of Franz Liszt in: Music Theory Spectrum, Bd. 8, 1986, S. 1–24
Robert Stevenson Liszt in the Iberian Penisula in: Inter-American Music Review, Bd. 7, Frühling-Sommer 1986, S. 3–22
Robert Stevenson Liszt 's "Favorite" California Pupil. Hugo Mansfeldt (1844–1932) in: Inter-American Music Review, Bd. 7, 1986, S. 33–78
Howard Cinnamon Third-Relations as Structural Elements in Book II of Liszt's "Années de pèrerinage" and Three Later Works 1984
Howard Cinnamon Chromaticism and Tonal Coherence in Liszt's "Sonetto 104 del Petrarca" in: In Theory Only, Bd. 7, 1983, S. 3–19
Howard Cinnamon Tonal Structure and Voice-Leading in Liszt's "Blume und Duft" in: In Theory Only, Bd. 6, 1982, S. 12–24