Geraldine Keeling Liszt at the Piano. Two American Pianos and Two American Artists in: Studia Musicologica, Bd. 55, 2014, S. 145-155
Geraldine Keeling Concert Announcements Programs and Reviews as Evidence for First or Early Performances by Liszt of His Keyboard Works to 1847 in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 34, 1992, S. 397-404
Rey M. Longyear, Kate R. Covington Liszt, Mahler, and a Remote Tonal Relationship in Sontata Form in: Studien zur Instrumentalmusik. Lothar Hoffmann-Erbrecht zum 60. Geburtstag, herausgegeben von Anke Bingmann (u.a.), Tutzing 1988, S. 457–468
Geraldine Keeling, Adrian Williams The Liszt Centenary Year. Some Festivals and Symposia in: Liszt Society Journal, Bd. 12, 1987, S. 54–57
Geraldine Keeling Liszt's Appearances in Parisian Concerts, 1824–1844. Part 2: 1834–1844 in: Liszt Society Journal, Bd. 12, 1987, S. 8–21
Geraldine Keeling The Liszt Pianos. Some Aspects of Preference and Technology in: The New Hungarian Quarterly, Bd. 27, 1986, S. 220–232
Rey M. Longyear, Kate R. Covington Tonal and Harmonic Structures in Liszt's Faust Symphony in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 153–171
Geraldine Keeling Liszt's Appearances in Parisian Concerts, 1824–1844. Part 1: 1824–1833 in: Liszt Society Journal, Bd. 11, 1986, S. 22–34
Rey M. Longyear, Kate R. Covington Tonic Major, Mediant Major. A Variant Tonal Relationship in the 19th-century Sonata Form in: Studies in Music [University of Western Ontario], Bd. 10, 1985, S. 105–139
Geraldine Keeling Liszt Pianos – Année de Pèlerinage in: Liszt Society Journal, Bd. 10, 1985, S. 12–20