James A. Deaville The New German School in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 48-57
James A. Deaville Critics in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 258-270
James A. Deaville Wanting the Real Thing? Liszt's Transcriptions and the Issue of Authenticity in: Liszt's Legacies, herausgegeben von James Deaville, Michael Saffle, New York 2014, S. 171–197
Geraldine Keeling Liszt at the Piano. Two American Pianos and Two American Artists in: Studia Musicologica, Bd. 55, 2014, S. 145-155
James A. Deaville A Star is born? Czerny, Liszt, and the Pedagogy of Virtuosity in: Beyond The Art of Finger Dexterity. Reassessing Carl Czerny, herausgegeben von David Gramit, Rochester 2008, S. 52-66
Geraldine Keeling Concert Announcements Programs and Reviews as Evidence for First or Early Performances by Liszt of His Keyboard Works to 1847 in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 34, 1992, S. 397-404
Geraldine Keeling, Adrian Williams The Liszt Centenary Year. Some Festivals and Symposia in: Liszt Society Journal, Bd. 12, 1987, S. 54–57
Geraldine Keeling Liszt's Appearances in Parisian Concerts, 1824–1844. Part 2: 1834–1844 in: Liszt Society Journal, Bd. 12, 1987, S. 8–21
Geraldine Keeling The Liszt Pianos. Some Aspects of Preference and Technology in: The New Hungarian Quarterly, Bd. 27, 1986, S. 220–232
James A. Deaville The C. F. Kahnt Archive in Leipzig. A Preliminary Report in: Notes, Bd. 42, 1986, S. 502–517