Allan R. Keiler, Traute M. Marshall, Franz Liszt Franz Liszt on Beethoven, Mendelssohn, Meyerbeer, and Donizetti in: JALS, Bd. 72, 2021, S. 5-28
Zsuzsanna Domokos Sursum corda. The Programme of Death and the Eternal Life in Liszt’s Années de Pèlerinage Third Year and in some Late Works around it in: Ad Parnassum: A journal of eighteenth- and nineteenth-century instrumental music, Bd. 16, 2018, S. 57-69
Zsuzsanna Domokos The Hungarian Royal Academy of Music in the 1880s. The collaboration and friendship between Liszt and János Verebi Végh in: Europe in the Time of Franz Liszt, herausgegeben von Valentina Bevc Varl, Oskar Habjanič, Maribor 2016, S. 47-55
Zsuzsanna Domokos Gretchen's Figure in Liszt's Musical Interpretation in: Studia Musicologica, Bd. 54, 2013, S. 389–396
Ralph P. Locke, Franz Liszt Liszt on the Artist in Society in: Franz Liszt and his World, herausgegeben von Christopher H. Gibbs, Dana Gooley, Princeton, Oxford 2006, S. 291-302
Zsuzsanna Domokos Liszt's Roman Experience of Palestrina in 1839. The Importance of Fortunato Santini's Library in: JALS, Bd. 54–56, 2005, S. 45–56
Franz Liszt Unpublished Liszt Letters at Yale. The Horowitz Papers in: JALS, Bd. 49, herausgegeben von Charles Suttoni, 2001, S. 1–10
Paul Allen Bertagnolli, Franz Liszt Heavenly Proclamations, the Wiener Männergesangsverein, and a newly discovered "Konzept-Brief" in: JALS, Bd. 50, 2001, S. 1–8
Zsuzsanna Domokos The Performance Practice of the Cappella Sistina as Reflected in Liszt's Church Music in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 41, 2000, S. 389–406
Franz Liszt St. Stanislaus: Scene 1, Two Polonaise, Scene 4 in: Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, Bd. 26, herausgegeben von Paul Allen Munson, 1998