Shay Loya Lateness in context in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 271–281
Shay Loya Liszt's national identity. What else is new? in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 154–162
Shay Loya Virtuosity in Liszt's late piano works in: Liszt and virtuosity, herausgegeben von Robert Doran, Rochester 2020, S. 387–414
Shay Loya Liszt's national compositions in the year of the Franco-Prussian war in: Confronting the National in the Musical Past, herausgegeben von Elaine Kelly, Markus Mantere, Derek Scott, Abingdon 2018, S. 31-48
Zsuzsanna Domokos Sursum corda. The Programme of Death and the Eternal Life in Liszt’s Années de Pèlerinage Third Year and in some Late Works around it in: Ad Parnassum: A journal of eighteenth- and nineteenth-century instrumental music, Bd. 16, 2018, S. 57-69
Zsuzsanna Domokos The Hungarian Royal Academy of Music in the 1880s. The collaboration and friendship between Liszt and János Verebi Végh in: Europe in the Time of Franz Liszt, herausgegeben von Valentina Bevc Varl, Oskar Habjanič, Maribor 2016, S. 47-55
Shay Loya Recomposing National Identity. Four Transcultural Readings of Liszt's Marche Hongroise d'après Schubert in: Journal of the American Musicological Society, Bd. 69, 2016, S. 409-476
Shay Loya Liszt's Verbunkos Legacy and the Paradoxes of Progressive Hungarian Music in: Liszt's Legacies, herausgegeben von James Deaville, Michael Saffle, New York 2014, S. 17–42
Zsuzsanna Domokos Gretchen's Figure in Liszt's Musical Interpretation in: Studia Musicologica, Bd. 54, 2013, S. 389–396