Mariateresa Storino Liszt in Italy. On the trail of the piano recital in: Liszt Society Journal, Bd. 44, 2019, S. 18-26
Zsuzsanna Domokos Sursum corda. The Programme of Death and the Eternal Life in Liszt’s Années de Pèlerinage Third Year and in some Late Works around it in: Ad Parnassum: A journal of eighteenth- and nineteenth-century instrumental music, Bd. 16, 2018, S. 57-69
Zsuzsanna Domokos The Hungarian Royal Academy of Music in the 1880s. The collaboration and friendship between Liszt and János Verebi Végh in: Europe in the Time of Franz Liszt, herausgegeben von Valentina Bevc Varl, Oskar Habjanič, Maribor 2016, S. 47-55
Mariateresa Storino New Liszt Letters to Jessie Laussot in: Franz Liszt. Lectures et écritures, herausgegeben von Florence Fix, Laurence Le Diagon-Jacquin, Georges Zaragoza, Paris 2013, S. 131-148
Mariateresa Storino The Never-Ending Story: Jeanne d’Arc au bûcher in: Studia Musicologica, Bd. 54, 2013, S. 199–216
Zsuzsanna Domokos Gretchen's Figure in Liszt's Musical Interpretation in: Studia Musicologica, Bd. 54, 2013, S. 389–396
Zsuzsanna Domokos Liszt's Roman Experience of Palestrina in 1839. The Importance of Fortunato Santini's Library in: JALS, Bd. 54–56, 2005, S. 45–56
Zsuzsanna Domokos The Performance Practice of the Cappella Sistina as Reflected in Liszt's Church Music in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 41, 2000, S. 389–406