Nicolas Dufetel
Spirit and mechanism: Liszt's early piano technique and teaching
in: Liszt and virtuosity, herausgegeben von Robert Doran, Rochester 2020, S. 109-147
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Dufetel, Nicolas
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Merrick, Paul
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Nicolas Dufetel
Liszt, Wagner and "supernatural light". Between Symbolism and Religion
in: Liszt Society Journal, Bd. 44, 2019, S. 4-17
Nicolas Dufetel
From poiesis to aesthesis. Imaging programmatic meaning in the illustrations of Liszt's original editions
in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 201-232
Nicolas Dufetel
Liszt's "authentisch-kirchlich-liturgische Jagd" or the Quest for a Gregorian Modernity
in: Liszt-Jahrbuch, Bd. 2, 2017, S. 55–74
Paul Merrick
The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work
in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Nicolas Dufetel
Religious Workshop and Gregorian Chant. The Janus Liszt, or, How to Make New with the Old
in: Liszt's Legacies, herausgegeben von James Deaville, Michael Saffle, New York 2014, S. 43–71
Paul Merrick
"Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome
in: Studia Musicologica, Bd. 55, 2014, S. 17–26
Nicolas Dufetel
Nella selva oscura...: Discovering Liszt
in: Liszt: A chorus of voices—Essays, interviews, and reminiscences, herausgegeben von Michael Saffle, New York 2012, S. 106–114
Nicolas Dufetel
"Schelling died and Hitler cast a shadow over the world". Earnest Newman, Mildred Bliss and the "Roman noir" (1931–2011) of Liszt's Letters to Marie zu Hohenlohe (1931–2011)
in: JALS, Bd. 61–62, 2011, S. 52-66
Paul Merrick
Liszt's Music in C major
in: The Musical Times, Bd. 149, 2008, S. 70-80