Bruno Moysan, Malou Haine Liszt and the networks of revolution in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 141-153
Bruno Moysan Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor in: JALS, Bd. 70-71, 2020, S. 113-140
Nicolas Dufetel Spirit and mechanism: Liszt's early piano technique and teaching in: Liszt and virtuosity, herausgegeben von Robert Doran, Rochester 2020, S. 109-147
Nicolas Dufetel Liszt, Wagner and "supernatural light". Between Symbolism and Religion in: Liszt Society Journal, Bd. 44, 2019, S. 4-17
Nicolas Dufetel From poiesis to aesthesis. Imaging programmatic meaning in the illustrations of Liszt's original editions in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 201-232
Bruno Moysan Liszt and Théophile Gautier, readers of Donizetti's Lucrezia Borgia in: Liszt Society Journal, Bd. 43, 2018, S. 23-35
Nicolas Dufetel Liszt's "authentisch-kirchlich-liturgische Jagd" or the Quest for a Gregorian Modernity in: Liszt-Jahrbuch, Bd. 2, 2017, S. 55–74
Nicolas Dufetel Religious Workshop and Gregorian Chant. The Janus Liszt, or, How to Make New with the Old in: Liszt's Legacies, herausgegeben von James Deaville, Michael Saffle, New York 2014, S. 43–71
Nicolas Dufetel Nella selva oscura...: Discovering Liszt in: Liszt: A chorus of voices—Essays, interviews, and reminiscences, herausgegeben von Michael Saffle, New York 2012, S. 106–114
Nicolas Dufetel "Schelling died and Hitler cast a shadow over the world". Earnest Newman, Mildred Bliss and the "Roman noir" (1931–2011) of Liszt's Letters to Marie zu Hohenlohe (1931–2011) in: JALS, Bd. 61–62, 2011, S. 52-66