Shay Loya Lateness in context in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 271–281
Shay Loya Liszt's national identity. What else is new? in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 154–162
Wataru Fukuda Franz Liszt's Cantico del Sol: A Source Study in: Studia Musicologica, Bd. 61, 2020, S. 381–396
Shay Loya Virtuosity in Liszt's late piano works in: Liszt and virtuosity, herausgegeben von Robert Doran, Rochester 2020, S. 387–414
Shay Loya Liszt's national compositions in the year of the Franco-Prussian war in: Confronting the National in the Musical Past, herausgegeben von Elaine Kelly, Markus Mantere, Derek Scott, Abingdon 2018, S. 31-48
Shay Loya Recomposing National Identity. Four Transcultural Readings of Liszt's Marche Hongroise d'après Schubert in: Journal of the American Musicological Society, Bd. 69, 2016, S. 409-476
Wataru Fukuda A little-known version of Liszt's song Angiolin dal biondo crin. A study based on an autograph discovered in Tokyo in: Quaderni dell'Istituto Liszt, Bd. 15, 2015, S. 49–68
Shay Loya Liszt's Verbunkos Legacy and the Paradoxes of Progressive Hungarian Music in: Liszt's Legacies, herausgegeben von James Deaville, Michael Saffle, New York 2014, S. 17–42
Shay Loya Beyond "Gypsy" Stereotypes: Harmony and Structure in the Verbunkos Form in: Journal of Musicological Research, Bd. 27, 2008, S. 254-280