Małgorzata Gamrat Franz Liszt's Songs for Voice and Piano. The Composer's Approach to Poetry and Music Leiden, Boston 2024
Małgorzata Gamrat A Romantic Leaf from an Album, or a Well-Thought-Out Proposal. The Case of the Romance "Les pleurs des femmes" ("O pourquoi donc") Based on the Text by a Forgotten Russian Poet in: Liszt-Jahrbuch, Bd. 4, herausgegeben von Christiane Wiesenfeldt, 2022, S. 35–51
Małgorzata Gamrat Liszt's Manuscripts at the Adam Mickiewicz Museum of Literature in Warsaw. A Preliminary Study in: Liszt-Jahrbuch, Bd. 3, herausgegeben von Christiane Wiesenfeldt, 2019, S. 50-64
Małgorzata Gamrat Palimpsest, quotation, paraphrase, or self-allusion? Several remarks on Franz Liszt’s songs to texts by Pierre-Jean de Béranger in the context of a comparative study in: Liszt-Jahrbuch, Bd. 2, herausgegeben von Christiane Wiesenfeldt, 2018, S. 26-42
Małgorzata Gamrat Between the sound and the word. Methodological challenges in the analysis of Liszt’s piano transcriptions of his own Lieder in: Making Sense of Music. Studies in Musical Semiotics, herausgegeben von Mark Reybrouck, Costantino Maeder, Louvain 2017, S. 91-105
Małgorzata Gamrat Liszt and the French literary avant-garde of the 1830s in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 93–105
Małgorzata Gamrat Liszt’s experiments with literature in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 107-125
Serge Gut Similarities and Divergences in the Piano Works of Liszt and Debussy in: Liszt Society Journal, Bd. 37, 2012, S. 34–50
Serge Gut The Chronological and Pschological Reasons for a Double Motivic Relationship in the Harmonies poétiques et religieuses in: Liszt Society Journal, Bd. 24, 1999, S. 4–15