Małgorzata Gamrat
Franz Liszt's Songs for Voice and Piano. The Composer's Approach to Poetry and Music
Leiden, Boston 2024
Englisch
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Gamrat, Małgorzata
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Ott, Bertrand
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Małgorzata Gamrat
A Romantic Leaf from an Album, or a Well-Thought-Out Proposal. The Case of the Romance "Les pleurs des femmes" ("O pourquoi donc") Based on the Text by a Forgotten Russian Poet
in: Liszt-Jahrbuch, Bd. 4, herausgegeben von Christiane Wiesenfeldt, 2022, S. 35–51
Małgorzata Gamrat
Liszt's Manuscripts at the Adam Mickiewicz Museum of Literature in Warsaw. A Preliminary Study
in: Liszt-Jahrbuch, Bd. 3, herausgegeben von Christiane Wiesenfeldt, 2019, S. 50-64
Małgorzata Gamrat
Palimpsest, quotation, paraphrase, or self-allusion? Several remarks on Franz Liszt’s songs to texts by Pierre-Jean de Béranger in the context of a comparative study
in: Liszt-Jahrbuch, Bd. 2, herausgegeben von Christiane Wiesenfeldt, 2018, S. 26-42
Małgorzata Gamrat
Between the sound and the word. Methodological challenges in the analysis of Liszt’s piano transcriptions of his own Lieder
in: Making Sense of Music. Studies in Musical Semiotics, herausgegeben von Mark Reybrouck, Costantino Maeder, Louvain 2017, S. 91-105
Małgorzata Gamrat
Liszt and the French literary avant-garde of the 1830s
in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 93–105
Małgorzata Gamrat
Liszt’s experiments with literature
in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 107-125
Bertrand Ott
Marie Jaëll An independent pianist and pedagogue, or a disciple of Lizst?
in: Liszt Society Journal, Bd. 35, 2010, S. 42–65
Bertrand Ott
Lisztian Keyboard Energy. Liszt et la pédagogie du piano. An essay on the pianism of Franz Liszt
Lewiston 1992
Bertrand Ott
Liszt's Pianism, or Transcendental Creativity
in: Liszt Society Journal, Bd. 16, 1991, S. 14–22