Małgorzata Gamrat Franz Liszt's Songs for Voice and Piano. The Composer's Approach to Poetry and Music Leiden, Boston 2024
Małgorzata Gamrat A Romantic Leaf from an Album, or a Well-Thought-Out Proposal. The Case of the Romance "Les pleurs des femmes" ("O pourquoi donc") Based on the Text by a Forgotten Russian Poet in: Liszt-Jahrbuch, Bd. 4, herausgegeben von Christiane Wiesenfeldt, 2022, S. 35–51
Michael Saffle Program music and Liszt's Unstern! in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 107-122
Małgorzata Gamrat Liszt's Manuscripts at the Adam Mickiewicz Museum of Literature in Warsaw. A Preliminary Study in: Liszt-Jahrbuch, Bd. 3, herausgegeben von Christiane Wiesenfeldt, 2019, S. 50-64
Michael Saffle Little-known American Liszt Editions of the 1840s and 1850s. A Preliminary Report in: Liszt Society Journal, Bd. 43, 2018, S. 36-45
Michael Saffle Liszt Catalogues and His Reputation as a Composer in: Liszt Society Journal, Bd. 43, 2018, S. 2-9
Małgorzata Gamrat Palimpsest, quotation, paraphrase, or self-allusion? Several remarks on Franz Liszt’s songs to texts by Pierre-Jean de Béranger in the context of a comparative study in: Liszt-Jahrbuch, Bd. 2, herausgegeben von Christiane Wiesenfeldt, 2018, S. 26-42
Michael Saffle Liszt, Musical Transnationalism, and the Symphonic Poem in: Musicologie nouvelles, 2017, S. 103-109
Małgorzata Gamrat Between the sound and the word. Methodological challenges in the analysis of Liszt’s piano transcriptions of his own Lieder in: Making Sense of Music. Studies in Musical Semiotics, herausgegeben von Mark Reybrouck, Costantino Maeder, Louvain 2017, S. 91-105