Bibliografie

Paul Merrick

The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work

in: Liszt Society Journal, Bd. 40, 2015, S. 3–15

Márta Grabócz

The Two Faces of the 'mal du siècle' in Literature and in Liszt’s Piano Works

in: Studia Musicologica: An international journal of musicology of the Hungarian Academy of Sciences, Bd. 55, 2014, S. 43–64

Márta Grabócz

Narrative strategies of the Romantic "philosophical epics" in the piano works of Franz Liszt (Analysis of Sposalizio, Valée D’Obermann, Ballade No. 2 and the Sonata in B minor)

in: Interdisciplinary Studies in Musicology, Bd. 14, 2014, S. 113–135

Paul Merrick

"Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome

in: Studia Musicologica, Bd. 55, 2014, S. 17–26

Paul Merrick

Liszt's Music in C major

in: The Musical Times, Bd. 149, 2008, S. 70-80

Paul Merrick

Two Keys for Six Pieces. Tonality and Liszt's "Consolations"

in: JALS, Bd. 54–56, 2005, S. 125–133

Paul Merrick

The Choral Works of Liszt

in: Liszt Society Journal, Bd. 30, 2005, S. 8-11

Paul Merrick

Liszt's sans ton Key Signature

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302

Márta Grabócz

Common Narrative Structures in Music and Literature. A Semio-stylistic Investigation in the Arts of the Nineteenth Century (Liszt and Goethe)

in: Ninteteenth-Century Music. Selected Proceedings of the Tenth International Conference, herausgegeben von Jim Samson, Bennett Zon, Adlershot 2002, S. 155-168

Paul Merrick

"nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira"

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372