Geraldine Keeling
Liszt at the Piano. Two American Pianos and Two American Artists
in: Studia Musicologica, Bd. 55, 2014, S. 145-155
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Keeling, Geraldine
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Longyear, Rey M.
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Rey M. Longyear
Structural Issues in Liszt's Philosophical Symphonic Poems
in: Analecta Lisztiana I. Liszt and His World. Proceedings of the International Liszt Conference held at the Virginia Polytechnic Institute and State University 20-23 May 1993, herausgegeben von Michael Saffle, Stuyvesant (New York) 1998, S. 217-246
Rey M. Longyear
Liszt's Philosophical Symphonic Poems. Their Intellectual History
in: JALS, Bd. 32, 1992, S. 42–51
Geraldine Keeling
Concert Announcements Programs and Reviews as Evidence for First or Early Performances by Liszt of His Keyboard Works to 1847
in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 34, 1992, S. 397-404
Rey M. Longyear, Kate R. Covington
Liszt, Mahler, and a Remote Tonal Relationship in Sontata Form
in: Studien zur Instrumentalmusik. Lothar Hoffmann-Erbrecht zum 60. Geburtstag, herausgegeben von Anke Bingmann (u.a.), Tutzing 1988, S. 457–468
Rey M. Longyear
Klesmer, not Liszt. George Eliot's Musical Portrait
in: JALS, Bd. 23, 1988, S. 30–52
Geraldine Keeling, Adrian Williams
The Liszt Centenary Year. Some Festivals and Symposia
in: Liszt Society Journal, Bd. 12, 1987, S. 54–57
Geraldine Keeling
Liszt's Appearances in Parisian Concerts, 1824–1844. Part 2: 1834–1844
in: Liszt Society Journal, Bd. 12, 1987, S. 8–21
Geraldine Keeling
The Liszt Pianos. Some Aspects of Preference and Technology
in: The New Hungarian Quarterly, Bd. 27, 1986, S. 220–232
Rey M. Longyear, Kate R. Covington
Tonal and Harmonic Structures in Liszt's Faust Symphony
in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 153–171