Geraldine Keeling Liszt at the Piano. Two American Pianos and Two American Artists in: Studia Musicologica, Bd. 55, 2014, S. 145-155
Egidio Pozzi Music and Signification in the Opening Measures of "Die Ideale" in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 215-236
Geraldine Keeling Concert Announcements Programs and Reviews as Evidence for First or Early Performances by Liszt of His Keyboard Works to 1847 in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 34, 1992, S. 397-404
Geraldine Keeling, Adrian Williams The Liszt Centenary Year. Some Festivals and Symposia in: Liszt Society Journal, Bd. 12, 1987, S. 54–57
Geraldine Keeling Liszt's Appearances in Parisian Concerts, 1824–1844. Part 2: 1834–1844 in: Liszt Society Journal, Bd. 12, 1987, S. 8–21
Geraldine Keeling The Liszt Pianos. Some Aspects of Preference and Technology in: The New Hungarian Quarterly, Bd. 27, 1986, S. 220–232
Geraldine Keeling Liszt's Appearances in Parisian Concerts, 1824–1844. Part 1: 1824–1833 in: Liszt Society Journal, Bd. 11, 1986, S. 22–34
Geraldine Keeling Liszt Pianos – Année de Pèlerinage in: Liszt Society Journal, Bd. 10, 1985, S. 12–20