Geraldine Keeling Liszt at the Piano. Two American Pianos and Two American Artists in: Studia Musicologica, Bd. 55, 2014, S. 145-155
M. W. A. Smith The Origin of Liszt's Simplification of His 'Grand Galop Chromatique' in: Music & Letters, Bd. 78, Mai 1997, S. 254-255
M. W. A. Smith Virtuoso Pianism from the QWERTY Keybord. The Electronic Realization of Liszt's Scores in: Computers and the Humanities, Bd. 29, 1995, S. 285–296
Geraldine Keeling Concert Announcements Programs and Reviews as Evidence for First or Early Performances by Liszt of His Keyboard Works to 1847 in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 34, 1992, S. 397-404
Geraldine Keeling, Adrian Williams The Liszt Centenary Year. Some Festivals and Symposia in: Liszt Society Journal, Bd. 12, 1987, S. 54–57
Geraldine Keeling Liszt's Appearances in Parisian Concerts, 1824–1844. Part 2: 1834–1844 in: Liszt Society Journal, Bd. 12, 1987, S. 8–21
Geraldine Keeling The Liszt Pianos. Some Aspects of Preference and Technology in: The New Hungarian Quarterly, Bd. 27, 1986, S. 220–232
Geraldine Keeling Liszt's Appearances in Parisian Concerts, 1824–1844. Part 1: 1824–1833 in: Liszt Society Journal, Bd. 11, 1986, S. 22–34
Geraldine Keeling Liszt Pianos – Année de Pèlerinage in: Liszt Society Journal, Bd. 10, 1985, S. 12–20