Bruno Moysan, Malou Haine Liszt and the networks of revolution in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 141-153
Bruno Moysan Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor in: JALS, Bd. 70-71, 2020, S. 113-140
Bruno Moysan Liszt and Théophile Gautier, readers of Donizetti's Lucrezia Borgia in: Liszt Society Journal, Bd. 43, 2018, S. 23-35
Tibor Szász Franz Liszt's arrangement of Maria Pavlovna's lied "Es hat geflammt" and large-scale structures in Liszt's sonata in B minor and Faust-Symphonie in: Les grands topoï du 19e siècle et la musique de Franz Liszt, herausgegeben von Márta Grabócz, Paris 2018, S. 333-357
Tibor Szász Towards a new edition of Liszt’s sonata in B minor. Sources, editorial history, symbolic issues in: JALS, Bd. 68, 2017, S. 57-108
Tibor Szász Liszt's Sonata in B minor and a Woman Composer's Fingerprint. The quasi Adagio theme a Lied by Maria Pavlovna (Romanova) in: Liszt Society Journal, Bd. 35, 2010, S. 3–27
Tibor Szász Liszt's Divine and Diabolical Symbolism. Key to the Religious Program in the Sonata in B Minor Ann Arbor 1985
Tibor Szász Liszt's Symbols for the Divine and Diabolical. Their Revelation of a Program in the B Minor Sonata in: JALS, Bd. 15, 1984, S. 39–95