Pauline Pocknell Reading Liszt's Hands. Molds, Casts and Replicas as Guides to Contemporary Creative Representations in: JALS, Bd. 54–56, 2005, S. 171–190
Pauline Pocknell Liszt and Pius IX: The Politico-religious Connection in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 61-104
Pauline Pocknell Franz Liszt's Unpublished Pocket-Diary for 1832. A Guide to his Memories in: Liszt 2000. Selected Lectures Given at the International Liszt Conference in Budapest, May 18.-20. 1999, herausgegeben von Klára Hamburger, Budapest 2000, S. 52–77
Pauline Pocknell Franz Liszt to "Monsieur Guhr". A Hitherto Unpublished Note to a Hitherto Unsuspected Correspondent in: JALS, Bd. 48, 2000, S. 1–16
Pauline Pocknell A Temporary Fellowship: Franz Liszt's and Adelaide Kemble's Symbiotic Relations, Socio-Critical Aspects and Aftermath of Their Concerts in London, Liège and the Rhineland in 1841 in: Liszt Society Journal, Bd. 25, 2000, S. 61–90
Pauline Pocknell Clandestine Portraits. Liszt in the Art of His Age in: Analecta Lisztiana II. New Light on Liszt and His Music: Essays in Honor of Alan Walker's 65th Birthday, herausgegeben von Michael Saffle, James Deaville, Stuyvesant (New York) 1997, S. 123–166
Paul Allen Munson The Librettos for Liszt's Oratorio "St. Stanislaus" in: Music & Letters, Bd. 77, 1997, S. 532–550
Pauline Pocknell Liszt, the Klindworths and Austro-Hungarian Affairs in: Liszt Society Journal, Bd. 22, 1997, S. 24–33
Paul Allen Munson "Les Morts" as a Paradigm of Liszt's Religious Music in: JALS, Bd. 41, 1997, S. 102–110