Jim Samson The practice of pianism: Virtuosity and oral history in: Liszt and virtuosity, herausgegeben von Robert Doran, Rochester 2020, S. 221-237
Jim Samson Orpheus and the Exil. Liszt and Victor Hugo in: La note bleue. Mélanges offerts au Professor Jean-Jauques Eigeldinger, herausgegeben von Jacquline Waeber, Frankfurt a.M., New York 2006, S. 267–286
Pauline Pocknell Reading Liszt's Hands. Molds, Casts and Replicas as Guides to Contemporary Creative Representations in: JALS, Bd. 54–56, 2005, S. 171–190
Pauline Pocknell Liszt and Pius IX: The Politico-religious Connection in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 61-104
Jim Samson Virtuosity and the Musical Work. The "Transcendental Studies" of Liszt New York, Cambridge 2003
Pauline Pocknell Franz Liszt's Unpublished Pocket-Diary for 1832. A Guide to his Memories in: Liszt 2000. Selected Lectures Given at the International Liszt Conference in Budapest, May 18.-20. 1999, herausgegeben von Klára Hamburger, Budapest 2000, S. 52–77
Pauline Pocknell Franz Liszt to "Monsieur Guhr". A Hitherto Unpublished Note to a Hitherto Unsuspected Correspondent in: JALS, Bd. 48, 2000, S. 1–16
Pauline Pocknell A Temporary Fellowship: Franz Liszt's and Adelaide Kemble's Symbiotic Relations, Socio-Critical Aspects and Aftermath of Their Concerts in London, Liège and the Rhineland in 1841 in: Liszt Society Journal, Bd. 25, 2000, S. 61–90
Pauline Pocknell Clandestine Portraits. Liszt in the Art of His Age in: Analecta Lisztiana II. New Light on Liszt and His Music: Essays in Honor of Alan Walker's 65th Birthday, herausgegeben von Michael Saffle, James Deaville, Stuyvesant (New York) 1997, S. 123–166